Once you’re comfortable playing easy guitar songs and you’re able to play (and know) major and minor scales as well as are comfortable playing basic lead guitar and employing bends, slides, double stops, hammer-ons, and pull-offs… Then, you could probably deem yourself an intermediate-level guitarist.
If you can’t do any of these things then you may want to consider taking more guitar lessons.
But if you are comfortable with all those things then you may have the desire to learn something new. But what could that be?
Well, one option is to start working on your slide guitar technique.
It’s an awesome tool to add to your armory, with guitarists such as George Thorogood, Derek Trucks, Ry Cooder, Jerry Douglas, and Roy Rogers building their entire careers around slide guitar playing.
But before you commence this journey, have a listen to some of these great tracks that feature slide guitar:
- Sharp Dressed Man – ZZ Top
- The Joker – Steve Miller Band
- Give Me Love (Give Me Peace on Earth) – George Harrison
- Dust My Broom – Elmore James
- Highway 61 Revisited – Johnny Winter
- Good Day in Hell – The Eagles
- Want Ad Blues AKA Wanted Blues – John Lee Hooker
- Cry Tough – Nils Lofgren
- Feelin’ Bad Blues – Ry Cooder
- Seven Nation Army – The White Stripes
Some of this will hopefully represent some of what you will be aiming to achieve. To give you a “leg up” let’s have a look at some of the essentials:
- The Set-Up
- The Bottleneck
The tool used in slide guitar is called a “bottleneck” (or slide) and is a tube that fits over your finger. They come in three materials, glass, metal, and ceramic and each one gives you a different sound; so your selection should be based (initially) on your playing style.
Glass and metal slides offer distinct feel and tone, with glass being smooth and warm and metal being rough and bright. On the other side, ceramic slides serve as an intermediary for the two.
In addition to knowing which type of material you prefer, you have to consider the right thickness. Thinner walled slides offer better control because your fingers are closer to the strings, but these tend to be more rigid and maybe not as durable as the thicker ones which, whilst harder to control, provide a warmer sound.
Size-wise, you will need to find a bottleneck that fits snuggly over your finger so that you do not have to exert extra effort in controlling it.
We recommend using a guitar with relatively high action and with medium to heavy gauge strings.
Obviously, you will need to experiment so that you achieve the setup that is right for you. Essentially, if the bottleneck slides effortlessly across the strings without touching the frets and the notes sound out clearly without “wobbling” so it sounds out of tune, you are halfway there. As you progress you are bound to make adjustments to achieve the right sound and feel, but that is all part of the journey.
What Finger Should I Use?
This is a difficult one. You will find the majority of slide guitarists use their ring finger (of the fretting hand) to allow them to “drag” their other fingers along the strings behind the slide to silence the ringing strings and overtones that occur.
Most players consider this an important part of the slide technique. However, some will use the pinky to leave the other fingers free for non-slide fretting. Others have been known to use their middle and index fingers. We recommend starting with your ring finger and seeing how you get along, but at the end of the day, it is what works best for you.
Basic Slide Guitar Technique
Here we have listed 5 “must do’s” when playing slide guitar.
- Keep your finger straight. If you (naturally) start to bend it, you will find the bottleneck hitting the fretboard due to the curved shape of your digit, so keeping your finger perpendicular to the strings will give you the best results
- The slide (bottleneck) should be placed over the fret to provide a clean, clear, and sustainable note. In standard tuning, placing it over the second fret will give you the note “A,” the twelfth fret of the B string will give you “B” and the 3rd fret of the high E string will ring out as a ”G.” This rule applies all over the fretboard.
- Do not “fret” the note. Place the bottleneck lightly on the string so you obtain a clean note and are able to easily slide up and down the neck
- Try to relax your “fretting” hand. This will allow for a more fluid, accurate, and confident sound.
- Lightly touch the strings behind the slide using your spare fingers so that erroneous and discordant notes do not ring out. If you decide to use the bottleneck on your index finger, you will not be able to do this and may find the notes are not as pure or clean as they might be.
Good slide playing is accurate slide playing and you will need to be precise with your slides, as well as any other techniques you employ, such as vibrato and hammer-ons. So let’s look at a couple of lessons to get you started.
Lesson 1: The Basic Barre Slide
First of all, detune your guitar into open G, so the notes are: D G D G B D, Playing all 6 six open strings at once gives you a G chord. Barring all the 1st fret strings gives you G# chord, the second fret an A…..and so on. This makes it easy to play whole chords or notes that form the harmonic of a chord on the same fret.
Before starting to use your bottleneck, practice barring all six strings at any fret. Then, move up and down the neck for about 5 minutes. This exercise is designed to help feel your way into the motion of slide playing.
Now place your bottleneck over the 5th fret (a C chord) and pluck each string, making sure the notes clearly ring out. Do not fret the notes; just put enough pressure on the string so they all sound clear.
Now down strum all or some of the notes together, pick a target chord and gently slide up until you reach your target. Then down strum that chord. Once you are happy that everything sounds good, pick another target chord and either slide up or down, depending on where you are aiming.
Keep doing this, varying your speed of chord transfer and how long you wish to stay on each chord. You can even hit one note or a couple of notes within a chord and slide up and down if you wish. Just have some real fun with it.
Lesson 2: Accurately Targeting Individual Notes
This is not necessarily the easiest of lessons but designed to help drive your discipline. Pick any note on the top E (D) string and place your bottleneck directly over the fret of your chosen note.
Pluck the string, adjusting the bottleneck, so a clear and sustainable note rings out. Whilst continuing to pick the note, target another note higher up the neck. Pluck the original note one more time and then gently slide up the neck, keeping light pressure on the string until you reach your target note.
Keep picking your target note until it is clean and accurate and then slide back down to your original note. Keep repeating until it is accurate and there is not too much noise from the other strings (by using your other fingers to mute as many of the other notes as possible) when you slide up and down.
Repeat this exercise using other target notes on all the other strings until you are satisfied that you have a cool and accurate sound.
This is only the very beginning of your slide journey. You will progress onto solos, utilize alternative guitar tunings and even learn discordant solo playing.
So keep practicing and have some real fun. We hope we have been of some help.
Lesson one… no, that is not an open G chord. I HOPE it was a typo. You have to tune the A string down to G. THEN you have a G chord. With the A left as it is, you have a G add9 chord. Not a bad chord, but not very useful for “open chord” playing.
Indeed you’re right. I think the author just made a typo there, I’ve adjusted the article to show the proper tuning for open G. Thanks for catching that!