20 Hardest Guitar Solos That Will Impress Your Friends

challenging guitar solos

Written by: MT Team

Updated: Dec 13, 2022

Guitar solos. Guitar songs. We love them, right?

The thought of being onstage dealing out raging flurries of notes and riffs to glorious applause is what motivated many of us to start playing this beast of an instrument. The great thing about the guitar is making cool noises is pretty easy at first.

Learn your basic cowboy chords, power chords, a couple of Black Sabbath riffs and great fun can be had. The first time you get to play “Paranoid” through a 100-watt stack at a volume level that blows the dust off of your pant legs, you start to understand what the electric guitar is all about.

Once simple riffing becomes easy, most players like to challenge themselves by playing increasingly complex material. Any instructor worth their salt will tell you straight up that the best way to improve is to push yourself. Once you have a comfort zone, don’t practice in it. Too many folks continue to play “Blues in E” way past the point when they were learning anything from it.

Today, I’m here to steer you towards ten of the hardest guitar solos that are as tough and developmentally rewarding as anything out there. We all have our favorites that inspire us but any or all of these will let you find out how good you really are. Ready? Put your helmet on and let’s go!

Read Next: Top 25 Hard Guitar Songs – A List for Aspiring Virtuosos

What Are the Hardest Guitar Solos?

1. “Eruption” By Eddie Van Halen


There’s no way to discuss difficult guitar solos in the modern era without starting with “Eruption.” In 1978, no one had ever heard of playing like this before. It was completely unconventional at the time and immediately raised the level of playing that was expected of a rock guitarist.

All of a sudden, tone, technique, and sheer bravado mattered more than ever before. Much of “Eruption” is based in supercharged pentatonics, the sound of which was not completely unfamiliar, but Eddie’s legendary tapping run in the middle of the track kicked open the door to a whole new world.

It brought arpeggios and wide-interval playing into mainstream rock. In addition, his tone here, and on the rest of the first two Van Halen albums, is arguably the best Marshall amp sound ever put to tape. Of course, many players took these ideas further in the years that followed but, if you want to truly be able to call yourself a rock guitarist today, you’ve got to go through “Eruption” to reach the front of the line.

2. “Cliffs of Dover” By Eric Johnson

Eric Johnson is a giant of the guitar, to be sure, and this is his signature song. The track is a guitar instrumental, so it’s easy to think of it as one long solo, but it is as powerful melodically as it is technically.

Johnson’s compositional abilities are fully-formed and unique and the main wide-interval head melody is one of the most individualistic lines in the rock guitar vocabulary. Also, “Cliffs of Dover” demands to be played perfectly, with no slop.

The tone and touch needed to play this are never reached by most players and the track offers no place to hide your deficiencies. Johnson is known in the guitar community as a wildly eccentric mad scientist when it comes to his gear but underneath all that is one of the most technically proficient players in the world.

Even a failed attempt at this one will make you a better player.

3. “Voodoo Chile (Slight Return)” By Jimi Hendrix

Jimi Hendrix was the first modern rock guitarist and many people feel this is his greatest moment. Playing this authentically is difficult for a totally different set of reasons than many other challenging songs.

Harmonically, it isn’t complicated at all. It’s kind of one big E7 chord. The hard part is copping Jimi’s feel and slippery melodicism. You almost have to attempt to assume his personality to start getting it right. Hendrix was playing culture as much as he was playing guitar and an understanding of the blues and R&B that were the foundations of his style is absolutely necessary to get into his game.

It’s easy to learn this from TABs and sound like a wind-up toy playing it back. Playing Hendrix requires big ears and effortless humanity most will never achieve but it sure is inspiring to try.

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4. “Mr. Sandman” By Chet Atkins

Country music is notoriously difficult to play and no one did it better than Chet Atkins. His thumbpick-based style is iconic even now and playing his stuff is another pass/fail test in terms of perfection.

“Mr. Sandman” is one of Chet’s biggest hits and is filled with things that often strike fear into the hearts of lesser players, such as no distortion in use, a thumbpick-and-fingers approach that treats the guitar like a small piano, and chord melody playing.

The song uses more than 50 chords in a little over two minutes, so learning it requires the ol’ thinking cap to be firmly stapled into place. Beyond that, getting it up to Chet’s level of offhand style and grace is the challenge.

Again, no slop allowed. Get to work!

Read Next: Top 10 Easy Country Songs on Guitar for Beginners

5. “Jordan” By Buckethead

There are difficult solos and then there are Buckethead solos. Our man B is in possession of one of the most unique musical minds and two of the most amazingly skilled hands in the guitar world.

“Jordan” is one of his wildest moments and the cool feel of the initial groove belies the fire that awaits in the middle. Buckethead has chops that border on being more than human and plays so fast and with such precision that his licks don’t seem possible.

Nobody will ever confuse Buckethead with B.B. King in terms of human feel but that’s not what he seems to be going after. If you can play this solo, Van Halen and Eric Johnson are a walk in the park.

6. “Rude Mood” By Stevie Ray Vaughan

All blues isn’t slow and “Rude Mood” proves that beyond a doubt. It is one of the most challenging blues guitar tunes to learn due to its speed. Chordally, it is a blues in E with a ii-V change at the end, which is pretty standard stuff, but the way SRV attacks it is unparalleled.

Many students have burned up their practice amps learning this one and I expect that trend to continue. There will be interest in Stevie as long as there is interest in the electric guitar and tracks like this are the reason why.

7. “Sultans of Swing” By Dire Straits

Dire Straits mastermind Mark Knopfler has never been suitably macho for many fans of rock guitar to realize what a genius he is.

“Sultans of Swing” was his introduction to the world back in the day and it sounds much easier than it really is. It is all clean tone, fingerstyle, and perfect phrasing. This is one of those songs that teaches the lesson that “difficult” doesn’t always mean “fast.”

Plus, it’s an actual lyrical song that would still hold together with only a rhythm guitar and a vocal. So many lessons to learn here.

8. “Cult of Personality” By Living Colour

“Cult of Personality” was a high point of 80s guitar playing and still holds up well today. Vernon Reid is a deeply idiosyncratic guitarist with a rock/funk/fusion/blues approach that is difficult to recreate.

The solo is a full-on assault of the instrument and Reid plays with an explosive noise/experimental style in the middle of this MTV hit. Reid plays plenty fast but that’s not what makes this so tough. His wildness and weirdness are what’s hard to cop.

He sounds like he’s about to smash into a brick wall at any moment but never does. He rides the edge of control and that’s why you hardly ever see anyone play this song, much less get the solo right. I have a feeling that even Reid, himself, never played it the same way twice. It just has that sound. So much fun.

9. “CAFO” By Animals As Leaders

If you want to go all the way crazy, you gotta go with Animals As Leaders. Extended-range guitarist Tosin Abasi represents the leading edge of modern rock guitar and no discussion of challenging music to play would be complete without him.

His technique, harmonic sense, and odd-meter rhythms make “CAFO” a true test of anyone’s learning ability. Abasi isn’t speaking the same language most of us are; he’s taking it much further.

People probably won’t ask you to play this one around the campfire too often but attempting it is a great way to find out how good some folks have become in the 21st Century.

10. “Jessica” By The Allman Brothers Band

This is one of the all-time great rock instrumentals for a reason: it has it all. Dickey Betts was inspired by Django Reinhardt and his own infant daughter at the same time and came up with this showstopper.

Groove, tone, twin guitar harmony, an indelible hook, and plenty of space to stretch out make this a summation of much of what made classic rock great.

If your band can play this, not only do you all play well but you play well together. Sometimes, that is the hardest trick there is.

11. “25 Or 6 to 4” By Chicago

Chicago began gracing the world with brilliant rock & roll in 1967 and they continue to do so decades later. Their “25 or 6 to 4” is as much of a classic as it is a beautiful, melodic, highly intricate, and for many, an impossible guitar solo to perform.

The late Terry Kath was a master of every guitar technique in the book, and he displayed his arsenal of tricks in this solo so smoothly that most people wouldn’t stop to think twice about it; Hammer-ons, pull-offs, vibratos, legato slides, triplets, you name it. To top it off, the “25 or 6 to 4” is also lightning-fast, so it deserves the title of one of the hardest guitar solos ever.

12. “Stream of Consciousness” By Dream Theater


If you ever wanted to know when, how, and where the limits of sweep picking were breached, give Dream Theater’s “Stream of Consciousness” a listen.

Dream Theater, and especially John Petrucci as its main guitarist, is famous for outstandingly intricate tunes. “Stream of Consciousness” showcases John’s peerless accuracy at almost incomprehensible guitar-playing speeds.

As a cherry on top, the solo shifts back and forth between 5/4 and 6/4 time signatures, which can be an immense challenge at a tempo as staggeringly fast as the one it was composed in.

13. “For the Love of God” By Steve Vai

Widely regarded as one of the most prolific and innovative guitar masters of all time, Steve Vai created an exquisite school of guitar playing after spending years with another iconic guitarist and composer, the late Frank Zappa.

“For the Love of God” is arguably among the most powerful and emotional instrumental rock songs ever written, and Steve truly poured his heart and soul into its solo.

Anyone attempting to cover it has to surrender to its unique flow. Its build-up from soul-splitting vibratos and whammy-bar slams to rapid-fire shredding coupled with Steve’s authentic choice of tones and effects is tremendously difficult to replicate.

14. “Fried Hockey Boogie” By Canned Heat


Canned Heat brought blues into rock, and the “Fried Hockey Boogie” is arguably one of the “happiest” blues songs ever recorded. Although its solo may not be as technically demanding or as fast as some of the solos deemed the hardest among guitarists across the globe, nailing its feel, tone, and vibe are the things that make it incredibly challenging.

Composed and performed on an old-school overdriven guitar that is all but forgiving to the tiniest of mistakes, each stroke of this solo is surgically accurate and sounds precisely the way it should.

Instant pauses, halfway-chopped vibratos, and jumping from scale to scale are some of the many things that make “Fried Hockey Boogie” exceptionally hard for intermediates and seasoned professionals alike.

15. “Black Star” By Yngwie Malmsteen

“Black Star” is more of a compilation of solos than a standalone song. Maintaining peak focus and playing accuracy for a whole minute is almost impossible for many guitarists, and Yngwie decided to show that doing so for nearly six minutes straight is “normal” for him.

When dissected, the intro solo of “Black Star” is an elaborate machinegun fire hailed from an acoustic guitar; the song immediately jumps into a neoclassical maelstrom of arpeggios, taps, sweep-picks, and high-speed legato slides.

The “Black Star” may have steady background music, but Yngwie does not repeat his licks once throughout the whole solo.

16. “Tom Sawyer” By Rush

Alex Lifeson of Rush is another icon of progressive rock that inspired millions to pick up the guitar. The band’s “Tom Sawyer” is a smooth yet highly complex instrumental piece featuring a fairly short, but explosive solo.

Compared to Yngwie’s 6-minute onslaughts, the solo in “Tom Sawyer” doesn’t even last a full minute. However, Alex managed to hop across the entire fretboard dozens of times during this small window, all while following the groove set in an odd time signature.

Read Next: EASIEST Guide to Learning the Notes on Your Guitar Fretboard

17. “Country Guitar” By Phil Baugh

Prog rock and metal have pushed the envelope for the fastest, most intricate, and most difficult guitar solos, but country guitarists set the bar over half a century ago. Phil Baugh’s “Country Guitar” is a perfect example of brilliant technique executed to perfection.

The particular technique used in the solo of “Country Guitar” many modern-day guitarists are not familiar with is called “chicken picking”, which is arguably the main reason why it’s so hard to play. None of the more advanced techniques can mimic the steely, springy tone and vibe of ultra-fast chicken picking, just like many professionals would struggle to come close to Phil’s degree of precision in this tune.

18. “Spanish Castle Magic” By Jimi Hendrix


Just like country music, psychedelic rock isn’t exactly famous for shredding in odd-time signatures, double-tempo tapping, or sweep picks across the fretboard and back. Jimi Hendrix and his music are the exceptions, though, and “Spanish Castle Magic” beautifully demonstrates his unmatched proficiency as a songwriter and the creator of highly complex solos.

Read Next: 7 Best Songwriting Courses 2022 (Write Your Next Hit Song)

The solo in “Spanish Castle Magic” may feel to you like it was improvised, and the chances are that it was when Jimi was in the studio. The lack of logic and the abundance of talent present in the entire song, and especially the solo are just two of many reasons why it’s regarded as one of the best and hardest guitar solos in music history.

19. “I’m the Slime” By Frank Zappa

“I’m The Slime” begins with a solo before evolving into a funky prog rock tune. Toward the end of the song, the late great Frank Zappa wreaks havoc with his amazing guitar skills.

The secrets of his tone are partially to blame for how difficult the “I’m the Slime” solo is, but the equal culprits in this matter are its speed and fretboard-hopping arpeggios. Millions of people are still trying to learn how Zappa managed to use his wah pedal as wildly as he did in this solo.

20. “Mr. Crowley” By Ozzy Osbourne


If you combine gorgeous melodies with rapid tapping, shredding, and hammer-ons, you’ll get the solo of Ozzy Osbourne’s “Mr. Crowley”. Composed and performed by the legendary Randy Rhoads, this was the solo that helped Ozzy skyrocket his solo career after his massive success as the founding member of Black Sabbath.

The solo of “Mr. Crowley” hits it off from the start, ramping up in speed and complexity with each successive bar. After a brief moment of respite in the more melodic parts, Randy picks up the pace again, wrapping the solo up with a bang.

Final Thoughts

If you’re looking to impress your friends with some of the hardest guitar solos out there, this list is a great place to start.

From shredding masterpieces to iconic classics, there’s something for everyone here.

Certainly, none of these guitar solos will be easy. It will take time, patience, and lots of skills to be able to accurately play these tunes. But once you finally become good enough to play them – oh the bragging rights you’ll have!

What are you waiting for? Grab your guitar and start practicing!

About MT Team
Posts on all things related to instrument education, gear reviews, and so much more. Written by the MusicianTuts editorial team.

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